Sebastião’s distinct craftsmanship and technique, paired with the sublime, almost surreal wilderness of his work, are what set this young artist apart. Just as elusive and mysterious as his creations, he prefers telling stories and making an impact through his work rather than words.

Sebastião Lobo’s pieces echo obscure dungeons, forbidden games, and chimerical figures—painting the image of a decaying, pseudo-bourgeois apocalyptic world. Regardless of the concept, his creations seem almost alive, pulling the viewer into a microcosm that unlocks the darkest corners of the imagination. His portfolio feels like a bizarre invasion of insect-like beings magnified through an extraordinary jeweler’s lens.

Nothing is off-limits for Sebastião, who believes any material holds potential for visual discovery. His atelier is a living, breathing testament to this belief—filled with found objects, strange materials, and a fearless spirit of experimentation.

This same instinct for transformation and material storytelling underpins the UBUNTO Project—a long-term social and artistic initiative founded by Sebastião in Kenya’s Kibera slum. Rooted in the African philosophy of “I am because we are,” the project connects traditional craftsmanship with contemporary design to empower local artisans through training, fair wages (based on European standards), and international collaborations.

With partners like Brother Vellies, Galerie du Paradis, and Studio KO, UBUNTO has already generated significant impact—multiplying local incomes and preserving cultural heritage. Looking ahead, the project aims to grow into a full-scale community workshop and training center, integrating education, entrepreneurship, and social inclusion for youth aged 16 and above.

At its core, both Sebastião’s personal work and the UBUNTO Project share a vision: to craft worlds—real or imagined—where creativity drives transformation, and every detail tells a story of resilience, beauty, and collective power.